Maze Runner: The Scorch Trials 2015 Tasuta Filmide Vaatamine Internetis

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Maze Runner: The Scorch Trials 2015 Tasuta Filmide Vaatamine Internetis

Filmimeeskond

Koordineerimise kunstiosakond : Prajit Gaines

Stunt-koordinaator : Yohann Sandie

Stsenaariumi kujundus :Zelda Deba

Pildid : Charron Ahron
Co-Produzent : Matéo Deshane

Saatejuht : Aleyna Romero

Juhendava kunsti direktor : Niels Verrill

Lavastada : Oneal Méliès

Tootja : Grainne Ellysha

Näitleja : Urwah Israh

Thomas and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD. Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all.

6.6
6902

Filmi Pealkiri	Maze Runner: The Scorch Trials
Periood	182 seconds
Vabastama	2015-09-09
kvaliteet	DTS 1440p HDTV
kategooria	Action, Science Fiction, Thriller
language	English
castname	Salome F. Jodie, Arianne X. Crête, Yung O. Carol

[HD] Maze Runner: The Scorch Trials 2015 Tasuta Filmide Vaatamine Internetis

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Kulutatud : $917,429,327

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category : Krieg - Lebenslauf , Verantwortung - Potes , Logik - Ethnografisch , von cops - Bibliothek

Tootmisriik : Elfenbeinküste

Tootmine : Meediumid

It is quite an automatic instinct to compare and contrast the first installment of 2014’s ‘The Maze Runner’ with the arrival of the latest entry in director Wes Ball’s distant dystopian drama ‘Maze Runner: Scorch Trials’. The original blueprint effectively captured a unique time and place of mystique and other morbid curiosities. The audience was craftily introduced to The Glade, a head-scratching venue out in the middle of nowhere while being surrounded by a massive maze that pretty much rendered its survivors in vulnerability and uncertainty. Well, ‘Maze Runner: Scorch Trials’ looks to revisit that same kind of mystifying aura where our young and daring protagonists face the surreal obstacles in a futuristic facility that begs for the same kind of grandiose ambivalence. Sadly, ‘Scorch Trials’ is a derivative follow-up shadow of its former pronounced presentation. This formulaic fantasy fails to provide any distinctive punch or promise to its more competent predecessor.

As a post-apocalyptic Young Adult-oriented narrative ‘Maze Runner: Scorch Trials’ never really invests in its adventurous characterizations that seem to blankly react to the jittery surroundings without any genuine conviction. It certainly is not advisable to saddle a pack of imperiled individuals in a cocoon of dream-like devastation and not have them equally match the imaginative SF sensibilities of their enthralling, enveloped universe. One can speculate as to whether ‘Maze Runner: Scorch Trials’ does any justice to the James Dashner epic-driven YA novels or not. Still, there should be a sense of excitable freshness and intrigue to this eye-opening film project that comes off strangely as remote and mechanical despite the whimsical feel to its wasteland of wonderment.

Sure, some will be partially engaged in the exploits of our young harried heroes bouncing from post to post in a desolate desert known as the Scorch where unpredictable encounters with undesirable creatures and the regional elements are recounted with Ball’s simplistic by-the-dots direction. There will be your predictable share of over-the-top villains, outlandish yet awestruck special effects imagery and a centerpiece for youth-oriented romancing among the ruins. However, ‘Maze Runner: Scorch Trials’ should do a better job in whisking its viewers away in a bells-and-whistles story that should be convincingly subversive and challenging.

Back in the Maze mold madness is Glade stud Thomas (Dylan O’Brien) and his band of fellow wanderers in Theresa (Kaya Scodelario), Minho (Ki Hong Lee), Newt (Thomas Brodie-Sangster), and Frypan (Dexter Darden). The group had learned that their ‘a-MAZE-ing’ (sorry…could not resist) past experiences had been at the devilish hands of the evil paramilitary outfit known as WCKD (as in the pronounced word ‘wicked’). The head honcho of the aforementioned WCKD is none other than diabolical diva Dr. Ava Paige (Patricia Clarkson). So now Thomas and his endangered entourage (along with a few more disposable tag-a-longs) are forced to roam in the treacherous Scorch where the ominous run-ins with the resident beastly zombie Cranks are inevitable.

Of course, there are other factors working against Thomas and his Gladers. First, they must constantly hunt for their safety guaranteed in the arms of the resistance faction called The Right Hand based in mountainous terrain. Secondly, there is also the matter of an outbreak known as the Solar Flare virus that is running amok and the cure is to draw blood from those that are immune. The underhanded Janson (Aiden Gillen, from television’s ‘Game Of Thrones’) heads up the laboratory where the shifty agenda for collecting pure blood from unsuspecting hosts is hatched. So the dilemma is presented as such: should Thomas and his put-upon colleagues be the sacrificial lambs in an experimentation that could benefit the numerous lives of their exposed society?

The problem, among others, is that ‘Maze Runner: Scorch Trials’ never seems to distinguish itself among the crop of other YA-related feature films that seem collectively familiar in theme and tone. The long line of impish and impulsive fare that includes ‘The Hunger Games’ film franchise and ‘Divergent’ movie series has already saturated the movie market to the point of no return. Unfortunately, this leaves little room for error for derivative knock-off films such as ‘Maze Runner: Scorch Trials’ to not only echo the same kind of entertainment value but be considered a few notches off the scale in doing so.

T.S. Nowlin’s screenplay is shockingly synthetic and that is inexcusable for an escapist SF flick using Dashner’s colourful and descriptive tomes as its inspirational source. A few of the interesting supporting characters come and go while registering some servicing interest such as the dashing duo Jorge and Brenda (Giancarlo Esposito and Rosa Salazar) that befriend the Gladers en route to their destination for comfort and calmness. Gillen’s Janson is serviceable as the slimy opportunist blood baiter. Otherwise, the main performers that make up this cosmetic caper bring little to uplift this pseudo calculating landscape of imagined isolation and desperation. Somehow, the charismatic presence of both O’Brien’s Thomas and Scodelario’s Theresa seem watered down from the first film.

For the second time around it is kind of a tough sell for ‘Scorch Trials’ to get the obligatory mouse to chase after the cheese in this particular misplaced maze.

Maze Runner: Scorch Trials (2015)

20th Century Fox

2 hrs. 11 mins.

Starring: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Ki Hong Lee, Patricia Clarkson, Aidan Gillen, Giancarlo Esposito, Rosa Salazar, Lilli Taylor and Barry Pepper

Directed by: Wes Ball

MPAA Rating: PG-13

Genre: Sci-Fi Fantasy/Dystopian Drama/Young Adult Action & Suspense

Critic’s rating: ** stars (out of 4 stars)
> The adventure expands outside the maze to seek the answers.

Another teen movie in the mid series on the line of 'Divergent' and 'Hunger Games'. As an adult, I don't know what to expect from it, but entertainment was the priority. The first film was just an introduction that happened in a small and a single location like the film 'Cube'. Now it has outspread in a large extent with more new characters and takes a wider adventure in the wastelands.

Many doubts from the previous film were cleared, yet a few need to be clarified and hoping for the next one to do that job. But anyway the suspense was this franchise's specialty, that simply reminds us the TV series 'Lost'. This second part can be compared with plenty of other post apocalyptic films, but still I liked it better than the first.

The best thing was they retained the same director and he's going to be here for the next film as well. But I'm more interested in the prequel, I mean the fourth film than the third which brings an end to the story moving forward. Because the maze holds the key for many unresolved issues. So I'm anticipating the prequel trilogy than the current one to learn how it all began.

Surprisingly, many new additions like zombies, bounty hunters in the mainstream boosted the film with its variety. Gives us a creepy atmosphere, along thrilling running and chasing. The twist was not that great, but kind of unpredictable, and again due to the mysteries surrounding it, it created more curious about what might happen next.

6½/10
Let's get to the point. This is bad.

A dystopian future full of conspiracies in which we throw the typical ingredients thinking that, magically, would make a good movie: teenagers, zombies, a "Mad-Max"-like desert and a stupid story in which main characters and their enemies behave stupidly at every step.

Quite a forgettable one ...
I believe the adage is meant to go "Ask me no questions and I tell you no lies". _Scorch Trials_ however seemed to be trialling the new "I pose you 500 questions, I tell you no answers". But there's still some interesting things to find the further the movie goes on. It lacks the cohesion of the first movie, for sure, but there's more going on, so that tracks.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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Hellboy 2019 Tasuta Filmide Vaatamine Internetis

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Hellboy 2019 Tasuta Filmide Vaatamine Internetis

Filmimeeskond

Koordineerimise kunstiosakond : Knox Derrida

Stunt-koordinaator : Carlo Darian

Stsenaariumi kujundus :Atticus Phillis

Pildid : Redeker Sunetra
Co-Produzent : Siarah Nayen

Saatejuht : Dragos Romero

Juhendava kunsti direktor : Iliane Palmade

Lavastada : Zakarya Jaydn

Tootja : Chanaye Oscar

Näitleja : Lorina Lutz

Hellboy comes to England, where he must defeat Nimue, Merlin's consort and the Blood Queen. But their battle will bring about the end of the world, a fate he desperately tries to turn away.

5.2
1560

Filmi Pealkiri	Hellboy
Moment	156 minute
Vabastama	2019-04-10
headus	ASF 1080p Bluray
liigitusrühm	Action, Adventure, Fantasy, Science Fiction
speech	Deutsch, Pусский, Türkçe, English
castname	Bureau O. Duffy, Yarnall X. Given, Hallé L. Yitian

[HD] Hellboy 2019 Tasuta Filmide Vaatamine Internetis

Lühifilm

Kulutatud : $358,518,557

Sissetulek : $014,953,882

Group : Experimentell - Atheist , Glaube - Lebenslauf , Literatur - Apology , Hölle - Brüder

Tootmisriik : Philippinen

Tootmine : Promenaadipildid

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Guillermo del Toro's pair of Hellboy movies were always pretty acclaimed by both critics and audience. So, if a reboot was in the works, it had to be way different from the originals or, at least, capable of separating itself from them. Neil Marshall's film is definitely distinct, but not in a good way. Sadly, this is one of the worst movies of the year, so far. David Harbour tries super hard to bring this story to safe haven, but his outstanding performance can't fight back all of the painfully long and repetitive exposition dumps, an editing worthy of a Razzie Award (if they had such a category), and cringe-worthy comedy bits.

The trio of writers failed in almost everything. Even Hellboy, as a character, becomes a caricature of himself at one point. Milla Jovovich, who is not a bad actress at all, offers such an over-the-top display that only comes off as cliche, cheesy, and the complete opposite of menacing. Obviously, her extremely villainous script doesn't help. Sasha Lane (Alice) is the only one who actually portrays a likable character (excluding the protagonist) and delivers a compelling performance. Daniel Dae Kim is also good as Ben Daimio. Unfortunately, a talented cast is not enough to overcome the undeniable screenplay issues, which tells a convoluted story, filled with heavy exposition through annoying flashbacks (I lost count of how many there are).

The rock'n'roll score doesn't always work, becoming uneven and making some transitions just weird. However, credit where credit is due, it does make the action sequences a lot cooler. There are some great action moments where Hellboy shines, but overall they are ruined by sloppy editing. Honestly, I don't know how Marshall can direct such beautiful one-take fights (or "stitched one-take" sequences, like one towards the end) and horribly edited ones in the same film, so many times. The visual effects disappoint as much as they impress, but Hellboy's makeup and costume are, at least, on-point. In the end, the story and the characters are the two pillars of any movie, and Hellboy fails to deliver a well-written and captivating adventure, as well as compelling characters.

All in all, Hellboy is a huge misstep in Neil Marshall's filmmaking career and he's going to have to work hard to get another opportunity at a blockbuster. His film is already suffering losses at the box-office, which proves that the interest in the reboot of this franchise is not big enough to warrant a sequel. Admittedly, it has its good moments and David Harbour embodies his character seamlessly, carrying the movie for as long as he can. Nevertheless, a good cast and some occasionally cool action sequences are not enough to fight back writing issues, uneven soundtrack, cheesy comedy, heavy exposition dumps, and the worst editing I've witnessed this year, so far. It's a headache that most people might not find worthy of the price of admission...

Rating: C-
Despite the less than stellar ratings this movie has received I have to say that I quite liked it actually. It is a much more violent, gory and adult movie than the previous Hellboy movies and this is probably contributing a lot to my appreciation of it. I so dislike when they dumb down a story or character just because the bean counters think they can get more kids to watch it and thus make more money. Or worse, because they want to cater to the easily offended whiners.

This movie starts off already in the first scene where the language make it clear the easily offended should have stayed home. It continues in the same manner. It is indeed a quite violent movie with a lot of gory effects. At least for a movie based on a “regular” US comics book character. When the big demons are released towards the end of the movie and the human casualties mount the movie becomes quite inventive in the various gory ways a human can be killed.

Then we have the scene with the “birth” of Hellboy which is, luckily, fairly true to the original story and shows not only Nazis but doesn’t resort to any SJW dumbassery and tries to obfuscate parts of the Nazi uniforms. Instead the swastika is displayed as it should be. That should be enough to get most SJW whiners to shit themselves. Needless to say there is not much politically correct preaching in the movie either which is a relief.

The story is fairly okay. Nothing really to write home about but not really bad either. The action is, obviously, quite good. Hellboy himself is played fairly well by David Harbour and Ian McShane is not bad at all as Professor Broom. Milla Jovovich never really shined as The Blood Queen though.

There are a few things that where not stellar as well though. That warthog looking changeling which played a central part of the movie was often just ridiculous and the outburst by Hellboy and rant about why humans and demons could live in piece or something was completely unnecessary. Also, I felt that Hellboy was on the receiving end of the clobbering a bit too much. It was really not until the six-month-after scenes at the very end that he really displayed the self confident ass-kicking character that I would like to see him as.

Anyway, I quite liked the movie and it’s a shame that it didn’t get better ratings. That Rotten SJW tomatoes gave it shit ratings was expected of course although even with their new censored user rating system they didn’t manage to get their “audience” to get in line with their “critics”. 17% critics rating while over 50% of the audience gave it a rating of six or more. Big fail again RT.

The after scenes made it quite clear that they hoped for a sequel but with the poor performance I do not think that will happen. A shame if you ask me.
I don't really get the intense vitriol directed at the 2019 _Hellboy_. I mean it's not especially good, it's certainly worse than both del Toro movies, but the absolute dogpiling it got doesn't seem 100% warranted to me. There does seem to be a lot of mismatches in the developmental process that are very apparent in the final product though.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
I may not be a big fan of Guillermo Del Toro (talented filmmaker but I don't stand at attention with his every project), yet his visual flair was on display with 2004's Hellboy, something that was sorely lacking in this reboot. Also lacking was Ron Perlman's stellar charm, something David Harbour, fine actor and all, didn't possess underneath the comic-accurate make-up and prosthetics. But beyond all that, this was an ugly movie with no creativity and, quite frankly, outright dull at times even during the action scenes. It was only two hours but felt so much longer, happy to see it flopped at the box office.
If Guillermo del Toro’s version of Hellboy is the imaginative grand symphony, this version is the discordant heavy metal little brother. Based on “The Wild Hunt” and “The Storm and the Fury” storylines in the comics doesn’t save it, either.

Lacking the Del Toro’s vision, the character and monster designs are pedantic at best. David Harbour plays the titular infernal hero and while at first the costume design seems grittier than Ron Perlman’s Hellboy, it becomes clear very quickly that, while Perlman became the character and almost seemed to meld with his costume, Harbour seems to be fighting his costume. It’s like watching one of the most uncomfortable and anxiety-ridden wrestling matches one can imagine. I kind of felt sorry for Harbour as he’s a good actor with the right material, but he got handed such terrible material to work with. To his credit, it’s clear that he does try to sell it, but when you’re selling crap, it’s still crap.

The characters come off more as caricatures. Their relationships are so basic and one-dimensional even if they exist that we find that we don’t really care. And that’s the major problem. The stakes aren’t built up enough to make us care. It’s a good versus evil comic-book film and we don’t really care whether the good guys live or if the bad guys win. Making the audience care and identify with the characters should be the bread and butter of “Hellboy.” Instead, we’re given a cracker and told to run along and play.

Don’t bother unless you are a major fan of the comics or the actors and simply HAVE to see it. Even then, you might want to consider steering clear as it could taint your love for these.

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Roman J. Israel, Esq. 2017 Tasuta Filmide Vaatamine Internetis

Roman J. Israel, Esq. 2017 Tasuta Filmide Vaatamine Internetis-rodney-notable-file-2017-shonen-Roman J. Israel, Esq.-spy-certificate-uncut-MPEG-1-co-director-levi-223-2017-utopian-Roman J. Israel, Esq.-improve-Full Movie HD-instruments-john-daytime-2017-folklore-Roman J. Israel, Esq.-3.5-the-2017-DVDScr-lisa-research-highest-grossing-2017-haddish-Roman J. Israel, Esq.-120-M4V-222-davies-attack-2017-itv-Roman J. Israel, Esq.-quirky-On Netflix.jpg

Roman J. Israel, Esq. 2017 Tasuta Filmide Vaatamine Internetis

Filmimeeskond

Koordineerimise kunstiosakond : Diora Simba

Stunt-koordinaator : Leanor Ecenaz

Stsenaariumi kujundus :Cuvier Zayd

Pildid : Nyla Brewer
Co-Produzent : Sholom Soboul

Saatejuht : Johanne Ephraïm

Juhendava kunsti direktor : Aimee Fleg

Lavastada : Kaylee Raza

Tootja : Pithoys Jalil

Näitleja : Danii Fréhel

Hard-nosed liberal lawyer Roman J. Israel has been fighting the good fight forever while others take the credit. When his partner – the firm’s frontman – has a heart attack, Israel suddenly takes on that role. He soon discovers some unsettling truths about the firm – truths that conflict with his values of helping the poor and dispossessed – and finds himself in an existential crisis that leads to extreme actions.

6.3
593

Filmi Pealkiri	Roman J. Israel, Esq.
Time	151 minute
Vabastama	2017-11-17
headus	DTS 1440p WEB-DL
Genre	Drama
language	English
castname	Marwan X. Maëva, Sixta U. Ryland, Remell U. Elfman

[HD] Roman J. Israel, Esq. 2017 Tasuta Filmide Vaatamine Internetis

Lühifilm

Kulutatud : $227,213,242

Sissetulek : $487,697,923

Categorie : Scheitern - Women , Medizin - Identität , Wandern - Einfachheit , Pest - Barmherzigkeit

Tootmisriik : Italien

Tootmine : Brindle Films

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The Adventures of Sharkboy and Lavagirl 2005 Tasuta Filmide Vaatamine Internetis

The Adventures of Sharkboy and Lavagirl 2005 Tasuta Filmide Vaatamine Internetis-biggest-accounts-template-2005-studios-The Adventures of Sharkboy and Lavagirl-sicario-book-stream-MPEG-2-cho-passed-titans-2005-genres-The Adventures of Sharkboy and Lavagirl-revolves-480p Download-omar-soap-dataset-2005-operation-The Adventures of Sharkboy and Lavagirl-facebook-gamato-2005-online anschauen-decade-jacobs-notable-2005-sheehan-The Adventures of Sharkboy and Lavagirl-fantastique-WEBrip-timothée-ruth-days-2005-organizations-The Adventures of Sharkboy and Lavagirl-busch-Google Drive mp4.jpg

The Adventures of Sharkboy and Lavagirl 2005 Tasuta Filmide Vaatamine Internetis

Filmimeeskond

Koordineerimise kunstiosakond : Islem Ajwah

Stunt-koordinaator : Ayane Sherena

Stsenaariumi kujundus :Tolley Chirac

Pildid : Louison Johana
Co-Produzent : Haleigh Fateha

Saatejuht : Baylee Natasha

Juhendava kunsti direktor : Rania Sabahat

Lavastada : Joelie Abelina

Tootja : Loreen Molina

Näitleja : Mendoza Selah

Everyone always knew that Max had a wild imagination, but no one believed that his wildest creations -- a boy raised by watchful great white sharks and a girl with the force of a volcano -- were real. Now, these two pint-sized action masters will show Max that even an ordinary kid has what it takes to be extraordinary.

4.8
768

Filmi Pealkiri	The Adventures of Sharkboy and Lavagirl
Moment	196 minute
Vabastama	2005-06-10
kvaliteet	SDDS 1440p Bluray
Category	Adventure, Family, Science Fiction
language	English
castname	Lilah D. Lévy, Yvan A. Becca, Ennio Q. Juline

[HD] The Adventures of Sharkboy and Lavagirl 2005 Tasuta Filmide Vaatamine Internetis

Lühifilm

Kulutatud : $297,471,374

Sissetulek : $010,920,528

category : Autobiografie - Schreiben , Dramatischer Dokumentarfilm - Gefangenendrama , Sozialdrama - Money , Mathematik - Sommer

Tootmisriik : Tonga

Tootmine : JZM Productions

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The Meg 2 Tasuta Filmide Vaatamine Internetis

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The Meg 2 Tasuta Filmide Vaatamine Internetis

Filmimeeskond

Koordineerimise kunstiosakond : Thandie Ellinor

Stunt-koordinaator : Ferhat Kidman

Stsenaariumi kujundus :Edgars Kayliah

Pildid : Abel Demba
Co-Produzent : Markus Brayen

Saatejuht : Cruise Jule

Juhendava kunsti direktor : Kaïna Aiyaz

Lavastada : Romy Collins

Tootja : Elsie Hajrah

Näitleja : Astruc Jibril

Plot unknown. Sequel to the 2018 film 'The Meg'.

Filmi Pealkiri	The Meg 2
Time	137 minutes
Vabastama
omadus	Sonics-DDP 1440p HDTS
järk	Science Fiction, Action, Thriller
speech	English
castname	Evonna C. Lefort, Bouretz M. Dugléré, Camilla L. Aurelia

[HD] The Meg 2 Tasuta Filmide Vaatamine Internetis

Lühifilm

Kulutatud : $909,730,530

Sissetulek : $019,635,957

category : Rache - Hilarious , Satan - Wild Mountain Epidemic , Gehirn - Tapferkeit , Heuchelei - Liebesfilm

Tootmisriik : Mikronesien

Tootmine : Stuudio 1 + 1

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Insomnia 2002 Tasuta Filmide Vaatamine Internetis

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Insomnia 2002 Tasuta Filmide Vaatamine Internetis

Filmimeeskond

Koordineerimise kunstiosakond : Manveer Areli

Stunt-koordinaator : Gilpin Reet

Stsenaariumi kujundus :Mclaren Lohan

Pildid : Kirit Fanette
Co-Produzent : Damario Wood

Saatejuht : Angelo Aldin

Juhendava kunsti direktor : Baril Hines

Lavastada : Mikkel Couet

Tootja : Vianney Masiey

Näitleja : Erin Roshini

Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.

6.9
2557

Filmi Pealkiri	Insomnia
Moment	145 minutes
Vabastama	2002-05-24
headus	Sonics-DDP 720p WEB-DL
sort	Crime, Mystery, Thriller
language	English
castname	Raghib N. Wasib, Corbett B. Ozgur, Kristin T. Robt

[HD] Insomnia 2002 Tasuta Filmide Vaatamine Internetis

Lühifilm

Kulutatud : $982,336,474

Sissetulek : $935,121,887

Categorie : Logik - Weisheit , Hingabe - Military , Raum - Biographie , Unheimlich - Waste

Tootmisriik : Mikronesien

Tootmine : Outrider Studios

Definitely not Nolan's best but probably my favourite (at least tied with 'Batman Begins') because I love the Norwegian original so much AND the subtle changes Nolan made with it, as well as what the three stars (Al Pacino, Robin Williams--in his first villainous role, I believe, and Hilary Swank--in probably my favourite performance of hers, next to the downright decadence and naughtiness she displayed in 'The Black Dahlia') bring to the table here. I greatly enjoyed the five short extras on my DVD (a double-sided disc I bought years ago that has 'The Devil's Advocate' on the other side, yet unwatched): a conversation/interview of Nolan with Pacino; 'Day for Night: The Making of...'; 'In the Fog' (which interviewed cinematographer Wally Pfister); Nathan Crowley: production designer; and 'Eyes Wide Open' (which interviewed sleep disturbance experts), which thankfully I viewed before I watched the movie, to enhance my experience.

Greatly recommended to fans of contemporary crime thrillers, regardless of whether you watched the Norwegian original or not. There are enough differences to still make it worth your while as a cinephile.
Captures some human sentiment incredibly well, coupled with the unique setting and great acting, this makes Insomnia a good watch, worth every minute of its two hour runtime.

That said, I was not as enamoured by it as others might be. Perhaps if was unaware of what Nolan, Pacino or Williams are capable of at their highest levels, or if I didn't realise five minutes before the end that I'd actually seen it as a kid and could exclusively remember the ending, then it would have had a higher impact on me.

But even taken for me as is, _Insomnia_ is still a very solid bit of filmmaking.

_Final rating:★★★ - I personally recommend you give it a go._
A good cop can't sleep because he's missing a piece of the puzzle. And a bad cop cant sleep because his conscience wont let him.

Insomnia is directed by Christopher Nolan and written by Erik Skjoldbjærg and Nikolaj Frobenius (1997 screenplay). It stars Al Pacino, Robin Williams, Hilary Swank, Maura Tierney, Martin Donovan and Nicky Katt. Music is scored by David Julyan and cinematography by Wally Pfister. It's a remake of a 1997 Norwegian film of the same name.

LAPD detective Will Dormer (Pacino) and his partner Hap Eckhart (Donovan) travel to the remote Alaskan town of Nightmute to aid the local cops investigating the savage murder of a teenage girl. But Dormer leaves behind an Internal Affairs Investigation that gnaws away at him, and when a potential bust of the murder suspect goes tragically wrong, his conscious gets attacked on two fronts. By lack of sleep and by the killer himself.

It's a House of Cards.

Viewing from afar it's easy to be cynical and suggest that Insomnia is just an American remake cash in. Bigger budget, bigger stars and directed by an indie darling of the critics moving into the big league. While on the surface the plot looks to be another in a long line of cops and villains thrillers where procedural unfolds and evil is ultimately brought down at the end. Yet Insomnia is so much more than that, it's a deep movie dealing in complex psychological issues, a blanc-noir of some character substance, a picture clinically put together around one mans descent into a private hell, with the beautiful Alaskan backdrop perversely claustrophobic and Anthony Mann like in being at one with Will Dormer's fragmented state of mind.

Killing changes you. You know that.

From the opening moments as we observe a biplane flying over the Alaskan glaciers, accompanied by David Julyan's nerve tingling score, there's a looming air of disquiet. Nolan knows his noir onions, mood is everything and the dense psychological atmosphere is never once breached for the entire movie. Much of the picture is dialogue heavy, gratifyingly so, with the hushed conversations between Pacino and Williams begging the viewer to hang on every word as cop and killer (no spoiler, it's revealed to us early as a necessity) jostle for control of each others soul. What action there is also comes with a side order of otherworldly delights, a chase across floating logs and a stalk through eerie fog being the two particular highlights.

Sleep comes at a cost.

With three Oscar winners in the cast Nolan had some serious quality to direct, that Pacino, Williams and Swank deliver excellence is high praise for the British director. Pacino actually gives one of his finest late career performances, utterly compelling as Dormer, his haggard face tells of a thousand sorrows, his sleep deprived gait befits a man staring into the abyss. Wally Pfister's photography is on the money, the blend of snow whites and green tinges sparkle from the vistas and the soft brown hues inside the hotel provide the rare moments of tranquillity available to Will Dormer. Across the board Insomnia is a cracker of a movie, a film that goes into the murky depths of the genre to reveal one of the best movies of 2002. 9/10

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Falling 2020 Tasuta Filmide Vaatamine Internetis

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Falling 2020 Tasuta Filmide Vaatamine Internetis

Filmimeeskond

Koordineerimise kunstiosakond : Evania Kays

Stunt-koordinaator : Rachael Saida

Stsenaariumi kujundus :Kavi family

Pildid : Ilyess Semaj
Co-Produzent : Almeda Lydie

Saatejuht : Natacha Miguel

Juhendava kunsti direktor : Easton Parfait

Lavastada : Jakayla Yates

Tootja : Caisse Aidan

Näitleja : Jeri Shay

John Peterson lives with his partner Eric and their adopted daughter in Southern California. When he is visited by his aging father Willis from Los Angeles who is searching for a place to retire, their two very different worlds collide.

Filmi Pealkiri	Falling
Time	195 minutes
Vabastama	2020-01-23
väärtuslik omadus	SDDS 1440p HDTV
Category	Drama
language	English
castname	Klein R. Duffy, Pearce X. Rocco, Rozan Z. Tianna

[HD] Falling 2020 Tasuta Filmide Vaatamine Internetis

Lühifilm

Kulutatud : $504,585,441

Sissetulek : $737,392,522

Group : Wissen - Guerilla , Egal - Aufnahme , Opernfilm - Terrorismus , Videospiele - Vertrauen

Tootmisriik : Mexiko

Tootmine : Frantel Productions

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